FRUITCAKE
by Eraserheads
There's a fruitcake for everybody
There's a fruitcake for everyone
There are b-sides to every story
If you decide to have some fun
Take a bite
It's alright
There's some brandy and star margarine to make it bright
Take a bite
It's alright
A little lovin' and some fruit to bake
Life is a piece of cake
It's the season for being happy
But the reason is dead and gone
If the reason for being happy
Takes a backseat when the season's done
Just take a bite
It's alright
Taste the taste that sent all mothers giggling in sheer delight
Take a bite
It's alright
A little lovin and some fruit to bake
Life is a piece of cake
[ Lyrics from: http://www.lyricsty.com/eraserheads-fruitcake-lyrics.html ]
Everybody, everywhere people do you really care
Christmas time has once again arrived
Everybody, everywhere people do you really care
Christmas time has once again arrived
Mistletoe and a little snow
But we don't get it there at fruitcake heights
Mistletoe and a little snow
But we don't get it there at fruitcake heights, oh' no!
Stars are falling down from heaven
But it's nowhere near our town
Miracles are falling down from heaven
But it's nowhere near our town
There's a fruitcake in everybody
There's a fruitcake in everyone
There are b-sides to every story
If the story has just begun
Just take a bite
It's alright
Taste the taste that sent all mothers giggling in sheer delight
Take a bite
It's alright
A little love is why it's all alone
She ran away from home
Eraserheads, or E-Heads was a Filipino Rock band of the 90s, formed by
Ely Buendia, Raimund Marasigan, Buddy Zabala and Marcus Adoro.
The band is one of the most successful, most influential,
critically acclaimed, and significant bands in the history of OPM.
Eraserheads are also credited for spearheading a second wave of Manila band invasions,
paving the way for a host of influential Philippine alternative rock bands.
The band released several singles, albums, and EPs that reached number one.
The band achieved critical and commercial success with their third album Cutterpillow,
which achieved platinum status several times. Eraserheads received the
Viewer's Choice Award for Asia from the 1997 MTV Video Music Awards.
In July 1993, Eraserheads started recording their debut album called
Ultraelectromagneticpop!.[5] The album featured "Pare Ko", "Toyang"
and "Tindahan ni Aling Nena", all of which were also present in Pop-U!.[6]
The album also featured a sanitized version of "Pare Ko" called "Walang Hiyang Pare Ko".[7]
Later in the same year, BMG
initially released 5,000 copies of the album. The album became a smash hit,
with the songs "Ligaya", "Pare Ko" and "Toyang" topping the charts that, by
the end of the year, BMG sold 300,000 copies, and Ultraelectromagneticpop!
turned sextuple platinum.[1]
The album met some opposition as the Philippine Association of the Record Industry
(PARI) attempted to censor "Pare Ko" but without success.[8] The public
was said to have found its OPM Fab Four in Eraserheads, opening the
second wave of band invasion.[1] The Eraserheadsmania was born.[9]
In October 1994, Eraserheads released a follow-up album entitled Circus.[5]
The band said that the album aptly described their life since their smashing debut.
The album was unpredictable and unconventional compared to the OPM ballads
at that time, and established the band members as good songwriters and musicians.
The songs varied in style and mood, ranging from euphoric and hilarious to tender
and somber.[8] In the same year, Eraserheads played during the
Miss Universe Pageant which was held in Manila.
Four of the songs became successive hits: "Kailan", "Magasin", "Alapaap"
and "With a Smile".[10] Circus turned gold in just 30 days with 20,000 copies
sold. Eventually, it turned quintuple platinum with 200,000 copies sold.[10]
But like ultraelectromagneticpop!, it too had its share of controversy.
In August 1995, Senator Tito Sotto, who was involved in an anti-drug
campaign at that time, called for a ban on the airplay and sales of "Alapaap"
over an alleged promotion of drug abuse in the lyrics of the song.[5][8]
In response, Eraserheads denied the allegation, saying that it was just
a misinterpretation, and that the song was the band's "ode to
freedom", not an "ode to drug abuse".[11]
Their much-awaited third album, Cutterpillow, was launched via a colossa
l open-air concert attended by fans and followers(sold thousands of
copies in one night). With Christmas barely a month over, Eraserheads
opened 1996 by making history in the Philippine music scene once more.
Cutterpillow turned gold, even before it hit the record stores, as a result of
the pre-selling promo campaign. Soon, the band shot the music video for the
song "Ang Huling El Bimbo" (The Last El Bimbo) from the album.[9]
Later that year, the band came up with a conceptual Christmas album Fruitcake.
This was shortly followed by a release of a companion storybook of the same title.[9]
Also in 1995 the band was given a shot at acting when they co-starred with
Comedian/TV Host Joey De Leon of "Eat Bulaga" in a comedy film produced
By GMA Network's Cinemax Studios (now GMA Films), "Run Barbi Run".
The year 1998 was marked with a series of gigs outside of the Philippines.
Eraserheads' first ever overseas gig was at BMG Records' "Sentosa Pop Festival"
in Singapore in March 1997. It was then followed by a mini U.S. tour in May. Then,
four months later in September, they were at the Radio City Music Hall in New York
to receive the coveted "Moon Man" trophy for winning the 1997 MTV Asia Viewer's Choice Award,
which made Eraserheads the first ever Filipino artists to win the award.[9][12]
The promotional CD versions of "Milk and Money", "Hard to Believe" and "Andalusian Dog",
all for the album Sticker Happy, were mixed at Electric Lady Studios, New York City
in September 1997.[13] Electric Lady Studios was built by the rock legend Jimi Hendrix.
The tracks were recorded earlier in Manila, however.[13] Their fifth album, Sticker Happy,
was released a few days after the MTV Awards. A month later, they were back in Singapore
for a series of shows and appearances for MTV Asia.[9]
In February 1998, they represented the Philippines at the annual "Asia Live Dream
'98" for NHK Broadcasting in Tokyo, Japan. Then in May, they embarked on another
U.S. tour, taking them from Oakland to Los Angeles and to New York.[9]
The band toured the U.S. under the Happy Box
production outfit, which was formed by brothers Haro De Guzman and Levan
"Schizo" De Guzman and some other friends.[14]
August 1998 saw the release of the album Aloha Milkyway in the Asian region,
and finally in the Philippines two months later. The album contains chart-topping
songs that have been re-mastered, as well as five new songs.[9]
In early 1999, they did sold-out shows in Hong Kong, Sydney, and Dubai.
Their next album, Natin99, was released in May.[9]
Between May and June 2000, they did another tour of America dubbed, "The
Pop Machine Tour – USA2000", taking them from New York to Chicago and to California.
During their tours, they also had Noel Garcia of The Pin-Ups as an
addition to their expanded line-up, who played guitars, keyboards and (sometimes), drums.
After almost two years, the much-awaited studio album, Carbon Stereoxide,
was released in March 2001, featuring the tracks, "Maskara", "Playground", "Hula" and "Palamig".[9]
After weeks of speculation, it was confirmed that the main songwriter and
lead singer, Ely Buendia, had left the band in mid-March 2002 for "reasons unknown".
However, in subsequent interviews, Buendia pointed to business matters
as the cause of the band's break-up.[15]
In PULP Magazine, Buendia's wife and manager, Diane Ventura, claimed that the
breakup started with a miscomunication between Buendia and the band's roadie,
the result being that Buendia and Ventura turned up late at a mall gig.
This upset the roadie who snidely referred to the couple as "unprofessional".
Buendia's band colleagues and crew at the gig gave Buendia "a cold shoulder",
related Ventura, being under the impression that Buendia had come late
deliberately. The next day, Buendia brought the incident to the attention
of the band's management boss, Butch Dans, to which he allegedly
reverted the blame to the roadie's "unprofessionalism". Dans, however
, allegedly chose to consider the roadie's account over Buendia's
without much deliberation. Dans allegedly quipped that Buendia and
Ventura were "probably too high on drugs" to remember the gig's schedule.
Ventura stepped in to dispute the allegation and vehemently denied that
she and Buendia were even told of the schedule. Unfortunately, the other
three Eraserheads also believed the roadie's story, which disturbed
Buendia because he felt betrayed of their longstanding friendship. Buendia
later announced to his mates through SMS that he was quitting the group.[16]
In another interview, Marasigan said he was eating in SM Megamall,
a local shopping mall, when he heard of the news (how he heard of it,
was not clear). He said he was "semi-surprised" and wondered if Zabala
already knew about it.[17] Adoro told of the story now famous among
Eraserheads fans about Buendia's cryptic text message. He said Buendia
stated in the text message that he had already "graduated."
Adoro quipped in the same interview that it was natural for Buendia
to graduate first, since he was in batch '87 of their college
(UP Diliman), while the rest were in batch '88.[17]
Zabala confessed in an interview that
disbanding had not been that
far away from the members' minds.Adoro expressed the belief of some people
that the band was getting too old, and that it was "selfish" for the
band to continue, likely referring to comments about how it's time
for other bands, besides Eraserheads, to shine.[18] The band made
it clear, though, that Buendia's departure from the band wasn't in any
way violent and that there was no shouting (sigawan) or any confrontation involved.[18]
Without relenting, the three remaining Eraserheads decided to continue.
Within a few weeks, the "new" Eheads debuted at Hard Rock Cafe in
Makati City on April 19, featuring a female singer-guitarist, Kris Gorra-Dancel,
from the band, Fatal Posporos. However, after a few months, Adoro had quit
the band as well. The remaining members of the Eheads added Diego Mapa
and Ebe Dancel to their lineup and renamed their band, "Cambio".
Just a few years after the break-up, the tribute album
Ultraelectromagneticjam!: The Music of the Eraserheads was released in honor of the band.
The second volume is in the works.[citation needed]
Many questioned whether the time was right for a tribute to a group that had
just disbanded four years ago, with its former members still active in the music industry
. Buendia had mixed feelings about the tribute album, saying that "It’s too early
to be taking part in it and I don’t see myself being part of it kasi (because)
I’m still doing something here...To be part of it is like acknowledging
na tapos na ako (that I am finished); isa na lang akong trophy na
itatago na (I'm just a trophy to be shelved). Siguro kung
uugud-ugud na ako (Maybe when I'm really old), that’s the time
I’m gonna look back." Ironically though, he does guest vocals
in one of the tracks, "Superproxy 2k6" by the late Francis Magalona.
On May 9, 2012, Star Records and Star Cinema released
The Reunion: An Eraserheads Tribute Album,
a tribute album of their own that accompanies the film The Reunion.
Eraserheads held another reunion concert in the United States (San Francisco,
Los Angeles & New Jersey) and Canada (Toronto) from October 12 to 20.[31]
Ely Buendia uses
Marcus Adoro uses
Buddy Zabala uses
Raimund Marasigan uses
Ely Buendia, Marcus Adoro, Buddy Zabala, Raimund Marasigan,
& Jazz Nicolas use keyboards for their onstage performances.
Others
"Alam Mo Ba" – Sung by Jo Awayan – (Composed by Ely Buendia & Jojo Bacasmas)
Rock & Rhythm Magazine:
Guillermo Memorial Award:
Monster Radio 93.1 : Countdown Top 7:
Katha Music Awards:
Parangal Ng Bayan Award: